Gallery in the Parking Lot
summer Thursday evenings car-less parking lot downtown Between the beginning time of the first soul-tweaking guitar riff and the finishing time when the motorcycles rev up to leave is a shifting work of human art with asphalt the palette with people the medium applied by a thick wide brush of rock 'n' roll **** hippie hair, barely hair, purple hair dandelion frizz fro, hair styled for a Rotary picnic billiard-ball slick, mohawks, pig tails long blonde hair with six inches of black at the end dreadlocks, half-buzz cuts, buns, braids ten shades of gray [Prince/Raspberry Beret] the Muse, a constant color, dances light/dark blonde hair twirling pony-keg belly of jello bouncing; when she finds more fire inside the sight is mesmerizing [Lynyrd Skynyrd/Sweet Home Alabama] he sits in a lawn chair dirty fingers, dirty pants, dirty shirt scuffed work boots head dropped back napping off the hard day [Sly and the Family Stone/Dance to the Music] four women whitest white, blackest black whitest black, blackest white talking laughing toe-tapping [Van Morrison/Brown-Eyed Girl] and, gawd, the tattoos: butterflies and ravens and rainbows yin yang and daggers and dragons cow skulls and shoulder-blade wings pointy-hatted witches and flowers and more flowers on one leg of one guy: spider, claw and paw, star, sun, lightning bolt, drooling mouth, spider, sword and shield all interlaced with swirls and curls [Jimi Hendrix/Fire] young ones eating pizza on a quilt doing passable cartwheels trying to fanny-butt riding scooters and skateboards playing with beach balls two-year-old in a stroller being pushed back and forth by her white-haired, ample-booty-shaking grandma a daddy dancing, switching kid from arm to arm [Billy Idol/White Wedding] crutches to boots to sneakers walking canes to baby carriages shoeless flat-footers to high-heeled slow dancers Hawaiian shirts to John Deere caps four feet of legs in twelve inches of skirt suspenders to huge belt buckles baggy overalls to statement tee-shirts: Hike Naked, Chocolate is the answer no matter the question, Styx 2001 Tour, Southern Girl, Booze Fighters Est. 1946, Delightfully tacky yet unrefined, How do I know I'll go to Heaven? Because I've already been to Hell; Operation Iran Freedom, Who needs a nice butt when you have boobs like mine, Bob Marley, Allman Brothers, AC/DC, B.B. King 2007, Some people are alive simply because it's against the law to kill them, Give a man a fish and he will eat for a day; teach a man to fish and he will sit in a boat and drink beer all day, Team Ducky: Suck it up or get off, Loud and Proud Rock 'n' Roll [Sam and Dave/Soul Man] young woman dressed up and battened down in her half-scowl and all-haughty expression removed from the rhythm of the crowd dark mascara'ed eyes set in an imperious face till a smile breaks through lighting up the canvas but wrecking her facade [Violent Femmes/Blister in the Sun] scruffy guy, beer in hand walking funny, bothering a single dancer rebuffed, he falls back and down cops talk to him, but leave him alone not drunk, just not right in the head then he behaves, then he leaves [Labelle/Lady Marmalade] a couple in their sixties garbed full out in cowboy gear hat to boots slow moving in country dance steps to a fast tune next to the stage lost in their own sweet world [Bee Gees/Stayin' Alive] one wears a cheerleader's uniform another has fingernails of silver stripes against yellow another uses sign language to the song's beat another sports two purple bandaids, one on each shoulder all but one with cellphones over-filling back pockets [Old Crow Medicine Show/Wagon Wheel] biker dude beard, shades, long stringy hair chains, earring chatting amiably with a straight-dressed middle-aged woman both smiling and happy [Chuck Berry/Johnny B. Goode] as the final chord dies the canvas bleeds its colors away toward the exit and the Harleys rev [White Snake/Here I Go Again] Harry W. Yeatts Jr. |